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One of the main advantages of using a gelli plate is its ability to create beautiful and intricate patterns with ease. The surface of the plate has a gel-like consistency, which allows for easy manipulation and control over the desired pattern or texture. Artists can experiment with different tools, such as stencils, brushes, or even found objects, to create interesting textures on the surface of the gelli plate to create visually interesting designs. These textures are then transferred onto paper when it is pressed onto the plate.

I've had some success printing on to tea bag paper but I was a little bit sceptical as to how well it would pick up the details from a collagraph plate as the paper needs to make contact with lots of little grooves and channels in the plate. Here's the printing process I went through and the outcomes.

One of the main projects I had in mind for the tea bag paper was cyanotype printing.  Those of you who have followed my work on Facebook or Instagram will have seen previous cyanotypes I have made over the last year or so.  I have created prints on a range of papers and fabric with varying success.  Some papers are brilliant for showing detail in the prints whilst others have a less defined edge to the images.  Unfortunately though, some of the papers that develop the best image quality disintegrate at the rinsing stage.